Home Art & Culture All the Ways to Fall for Dance Again Onstage and Beyond

All the Ways to Fall for Dance Again Onstage and Beyond

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INDIGENOUS ENTERPRISE This Phoenix-based company of Navajo artists — which has performed on NBC’s “World of Dance,” at the N.B.A. finals, and as part of President Biden’s inauguration — is bringing Native American dance traditions into popular culture. At the Joyce, Indigenous Enterprise will perform a new work, “Indigenous Liberation,” featuring songs, storytelling, and the powwow dances of several tribes. (Nov. 9-14, the Joyce Theater)

COMPLEXIONS CONTEMPORARY BALLET Founded by Dwight Rhoden and Desmond Richardson in 1994, Complexions helped invent a formula now popular throughout the contemporary dance world: sleek works set to familiar music, performed by a diverse group of superhuman bodies. Its fall season at the Joyce includes the world premiere of “Snatched Back From the Edges,” with a soundtrack ranging from Beethoven to spoken word to gospel to Aloe Blacc. (Nov. 16-28, the Joyce Theater)

TWYLA NOW Happy birthday, Twyla Tharp. The renowned dancer-director-choreographer turned 80 this summer, and she’s celebrating at New York City Center with a program that looks not just back but also, as ever, forward. The lineup includes two Tharp premieres — one pairs stars from Alvin Ailey American Dance Theater, American Ballet Theater and New York City Ballet with a chorus of young performers — as well as the duets “Pergolesi” and “Cornbread.” (“Pergolesi” is getting a playful twist: City Ballet’s Sara Mearns will dance the role originally made for Mikhail Baryshnikov, and the ballet and Broadway dancer Robbie Fairchild will take on Tharp’s part.) (Nov. 17-21, New York City Center)

PARSONS DANCE David Parsons’s crowd-pleasing ensemble, a regular at the Joyce, will premiere four dances during its two-week season. Two are by Parsons: “The Road,” set to songs by Yusuf Islam (formerly known as Cat Stevens), and “Balance of Power,” a showcase for the arresting dancer Zoey Anderson. “Past Tense,” by Matthew Neenan, a founder of BalletX, taps the entire Parsons company, and Chanel DaSilva’s “On the Other Side” features an original score by Cristina Spinei. (Nov. 30-Dec. 12, the Joyce Theater)

ALVIN AILEY AMERICAN DANCE THEATER Ailey’s return to New York City Center, where its holiday season is an annual tradition, features two premieres and three milestones. Both new works are stage adaptations of pandemic film projects: the artistic director Robert Battle’s “For Four” has a propulsive jazz score by Wynton Marsalis, which lets the dancers shake out all their bottled-up quarantine energy; and the resident choreographer Jamar Roberts’s “Holding Space” is a ruminative meditation on the ways we care for each other. Battle’s 10 years at Ailey’s helm will be celebrated in a special anniversary program, as will the 50th anniversary of “Cry,” the extraordinary 16-minute solo Alvin Ailey made as a gift for his mother, which has become one of the company’s sacred texts. But the can’t-miss date of the season is Dec. 9, the last chance to see Roberts perform with Ailey. For two decades, his quiet authority has transfixed audiences. Now he’s leaving the stage behind to focus on choreography. (Dec. 1-19, New York City Center)

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